Current Films

Tickets are $15.00 across the board, unless noted otherwise.

 

***Please arrive NO LATER than 15 minutes before screening time (and even earlier if you can) to ensure we have ample time to make your beverages, take your intermission order and tuck you into the cinema experience. Our recommendation is to arrive early to make a whole night of it and make a booking to avoid disappointment!

 

Cinema Bookings - Please text name, date, movie and # of people to 027 590 2117

Dining Bookings – Our pizza menu is available to enjoy in the Garden Bar, dining room or cinema. Please text name, date and # of people to 027 590 2117

The Innocents

Rating: M

Running time: 1hr 40mins

FAR OUT! Presents:

THE INNOCENTS (1961)

Starring Deborah Kerr

Tuesday, 31 March
Doors at 5:30pm
Show at 6:30pm
$15 CASH ONLY

A 1961 gothic psychological thriller film based on the 1898 novella The Turn of the Screw by the novelist Henry James. The screenplay was adapted by William Archibald and Truman Capote. Its plot follows a governess who watches over two children and comes to fear that their large estate is haunted by ghosts and that the children are being possessed.

Shot in breathtaking “Cinemascope” with a wide aspect ration, and utilizing many in camera effects to produce a sinister and surreal effect, The Innocents is widley considered a classic thriller... (the film is a little scary! But not scary like a modern film). Though relatively tame by today's “horror” film standards the film is considered a classic in the genre, and also the general “film making” genre as well.

95% on Rotten Tomatoes - MADE IN ENGLAND

Hamnet

Rating: M - sex scenes

Running time: 2hrs 6min

STARTING 16 MARCH

Directed by Chloé Zhao

From Academy Award® winning writer/director Chloé Zhao, HAMNET tells the powerful story of love and loss that inspired the creation of Shakespeare's timeless masterpiece, Hamlet.

Jessie Buckley is Agnes, wife of William Shakespeare (played by fellow Oscar-nominee Paul Mescal), in this drama from Academy Award-winning filmmaker Chloé Zhao (Nomadland). The story follows Agnes' struggles to come to terms with the loss of her only son, Hamnet, set during the creation of Shakespeare's most famous play, Hamlet.

AWARDS
-Best Picture (Drama) and Actress (Jessie Buckley) winner at the 2026 Golden Globes
-Winner of Outstanding British Film and Best Leading Actress (Jessie Buckley) at the 2026 BAFTAs
-Eight nominations at the 2026 Academy Awards including Best Picture

ONE BATTLE AFTER ANOTHER

Rating: R16 - Violence, offensive language & sexual material

Running time: 2hr 42mins

STARTING 19 MARCH

Directed by Paul Thomas Anderson

Thriller epic from modern-day master Paul Thomas Anderson (There Will Be Blood), starring Leonardo DiCaprio, Regina Hall, Benecio del Toro and Sean Penn. Loosely based on Thomas Pynchon’s Vineland, follows washed up revolutionary Bob (DiCaprio) – minding his business and living off grid with his daughter – when his nemesis returns after 16 years, forcing a reunion of ex radicals in a desperate rescue mission.

The film was shot on 35 mm film using VistaVision cameras by cinematographer Michael Bauman, marking his second collaboration with Anderson following Licorice Pizza. Also features a soundtrack by regular collaborator, composer Jonny Greenwood.


AWARDS
-Best Film (Musical or Comedy), Supporting Actress (Teyana Taylor), Screenplay and Director winner at the 2026 Golden Globes
-Winner of Best Film, Best Adapted Screenplay and Best Director (Paul Thomas Anderson), Best Supporting Actor (Sean Penn), and Best Editing at the 2026 BAFTAs
- 13 Academy Award nominations, including Best Picture, Best Director, Best Adapted Screenplay and four acting nominations

It Was Just An Accident

Rating: M- Violence, offensive language & cruelty

Running time: 1hr 34mins

STARTING 12 MARCH

Directed by Jafar Panahi

Iranian filmmaking master Jafar Panahi won the Palme d'Or at Cannes 2025 for this story of a minor accident that sets in motion a series of escalating consequences.

When auto mechanic Vahid unexpectedly encounters the man who may have been his torturer in prison, he kidnaps him with the intention to exact vengeance. But since the sole clue to Eghbal’s identity is the distinct squeak of his prosthetic leg, Vahid turns to a loose circle of other now-freed victims for confirmation. And the danger only escalates. As they deal with their past and diverging worldviews, the group struggles to decide: Is this him, without a doubt? What would retribution mean, in actuality?

98% on Rotten Tomatoes

“One of cinema’s most daring directors might’ve just made his masterpiece.” -Collider

“An Iranian dissident tribute to Weekend at Bernie’s or Hitchcock’s The Trouble with Harry.” – The Guardian

“A furious but funny revenge thriller” BBC


AWARDS
-Palme d'Or winner at the Cannes Film Festival 2025
-Two Academy Award nominations for best screenplay and best international film

The French Job

Rating: M-Offensive language

Running time: 1hr 34mins

STARTING 6 MARCH

Directed by Dominique Baumard

- WINNER: l’Alpe d’Huez Film Festival 2025 Special Jury Prize -

After the theft of the century, the madness begins...

On the night of May 19th, 2010, five paintings were stolen from the Musée d’Art Moderne de Paris. The five artworks, from artists including Matisse, Modigliani and Picasso, were estimated to be worth more than 100 million euros.

While the paintings have never been recovered, this outrageous comedy tells a frenetic and madcap tale of what could have happened to these famous works.

Melvil Poupaud (Jeanne du Barry) plays Yonathan, whose monotonous life is turned upside down when he encounters Eric (Sofiane Zermani), a brash, smooth-talking con artist/fence.

When Eric hires Jo (Steve TIentcheu, Neneh Superstar), a skilled thief known as “The Spider Man of Paris”, to steal the paintings from the Museum of Modern Art, the three men’s lives are intertwined in an uncontrollable spiral.

Anchored by a star turn from Melvil Poupaud as the perpetually anxious watch expert turned in circles by a fast talking criminal, this wonderfully told story takes audiences on an entertaining ride through one of the most famous art heists of recent times.

Sentimental Value

Rating: M - Offensive language & suicide references

Running time: 2hr 15mins

STARTING 26 FEBRUARY

Directed by Joachim Trier

Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he’s given her part to an eager young Hollywood star. Suddenly, the two sisters must navigate their complicated relationship with their father and deal with an American star dropped right into the middle of their complex family dynamics.

Starring Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleass, Elle Fanning.

"The best film of the year" - Vogue

"A transcendent, moving masterpiece." -Indiewire

97% on Rotten Tomatoes

AWARD WINNER
-Grand Prize winner at the Cannes Film Festival 2025
-Best Supporting Actor (Stellan Skarsgård) winner at the 2026 Golden Globes
-Nine Academy Award nominations, including Best Picture, Director, Actress, and International Feature.
-Best Film Not In The English Language at the 2026 BAFTA Awards

In Norwegian, Swedish and English with English subtiltes

Springsteen: Deliver Me From Nowhere

Rating: M - Mental health themes, coarse language and a sex scene

Running time: 2hrs

LIMITED SCREENINGS

Directed by Scott Cooper

On the cusp of global superstardom, New Jersey rocker Bruce Springsteen struggles to reconcile the pressures of success with the ghosts of his past as he records the album "Nebraska" in the early 1980s. Recorded on a 4-track recorder in Springsteen's New Jersey bedroom, the album marked a pivotal time in his life and is considered one of his most enduring works--a raw, haunted acoustic record populated by lost souls searching for a reason to believe.

Starring Jeremy Allen White (The Bear) as The Boss in this biopic based on Warren Zanes' book.


"Solid biopic both embraces and avoids cliche." - THE GUARDIAN